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Project: Bioluminescence

Bioluminescence is simply light produced by a chemical reaction which originates in an organism.

It can be expected anytime and in any region or depth in the sea. Its most common occurrence to the sailor is in the often brilliantly luminescent bow wave or wake of a surface ship. In these instances the causal organisms are almost always dinoflagellates, single-cell algae, often numbering many hundreds per liter.

They are mechanically excited to produce light by the ship’s passage or even by the movement of porpoises and smaller fish.

Bioluminescence is a primarily marine phenomenon. It is the predominant source of light in the largest fraction of the habitable volume of the earth, the deep ocean . In contrast, bioluminescence is essentially absent (with a few exceptions) in fresh water, even in Lake Baikal. On land it is most commonly seen as glowing fungus on wood (called foxfire), or in the few families of luminous insects. (For firefly information, try here.)

Bioluminescence has evolved many times in the sea as evidenced by the several distinct chemical mechanisms by which light is emitted and the large number of only distantly related taxonomic groups that have many bioluminescent members.

Bioluminescent bacteria occur nearly everywhere, and probably most spectacularly as the rare “milky sea” phenomenon, particularly in the Indian Ocean where mariners report steaming for hours through a sea glowing with a soft white light as far as the eye can see.

One special family of deep-sea fishes carries around its own “night vision” ability.

Almost all marine bioluminescence is blue in color, for two related reasons.

First, blue-green light (wavelength around 470 nm) transmits furthest in water. The reason that underwater photos usually look blue is because red light is quickly absorbed as you descend.

The second reason for bioluminescence to be blue is that most organisms are sensitive only to blue light — they lack the visual pigments which can absorb longer (yellow, red) or shorter (indigo, ultraviolet) wavelengths.

http://www.lifesci.ucsb.edu/~biolum/
http://www.lifesci.ucsb.edu/~biolum/organism/dragon.html

Spallation Project.

SPALLATION

In general, spallation is a process in which fragments of material (spall) are ejected from a body due to impact or stress. In nuclear physics, it is the process in which a heavy nucleus emits a large number of nucleons as a result of being hit by a high-energyparticle, thus greatly reducing its atomic weight. In the context of impact physics it describes ejection or vaporization of material from a target during impact by a projectile. In planetary physics, spallation describes meteoritic impacts on a planetary surface and the effects of a stellar wind on a planetary atmosphere. In the context of mining or geology, spallation can refer to pieces of rock breaking off a rock face due to the internal stresses in the rock; it commonly occurs on mine shaft walls. In the context ofanthropology, spallation is a process used to make stone tools such as arrowheads by knapping.

Ref.: http://en.wikipedia.org/wiki/Spallation

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Spallation (Part 1)

vj nokami spallation Michael trommer

vj nokami spallation Michael trommer

Spallation (Part 2)

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Spallation (Part 3)

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Music:

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Michael Trommer

Michael Trommer is a Toronto based producer and visual artist who has recorded for such top electronic music labels as Transmat, Wave, Truffle, Stasisfield, Interchill, Monocromatica, Thinner and con-v. He records under his own name, as well as aliases such as ’sans soleil’, ‘minidisco’, ‘Hydraulic’,and ‘Manitou2′.

Broad-minded in his approach to electronic music, Michael also creates gallery-based audio installation work. 2005 saw him creating a site-specific sound installation for Australia’s ‘Liquid Architecture’ exhibition. Another of his recent works was a net-based audio-manipulation project which was part of the ‘from 0 to 1 and back again’ exhibition at Kunsthalle Schirn in Frankfurt; this became the subject of many radio specials on both Deutsche Welle and Hessischer Rundfunk. In 2000, his work was nominated for the Prix Italia for experimental music. His field-recording based material has been featured on London’s Resonance FM, www.vagueterrain.net, www.insine.net, www.monocromatica.com, and www.stasisfield.com. A site-specific field-recording based installation is being exhibited in New York state’s upper Catskill forest (www.restlessculture.net/deepwoods) from the end of May.

Contact:

trommer@sympatico.ca

http://www.myspace.com/mtrommer

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Bot Series

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Lattice

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Ring Scult

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Rig